
| reviewed by Chuck Markee | [more] [back] |
|
I saw this film in 2002. I was
initially shocked, because in reading all the reviews I had
overlooked the fact that it was subtitled. Of
course, subtitles are easier for me than audible speech, so
I quickly forgot they were there. I had heard
interviews of Michelle The major rush for me was the
cinematography. The scenery on location was
fantastic and beautiful and the wirework was mostly an
excellent special effect. The hype about the
wirework in the treetops was technically correct, but not
as dramatic for me as the nighttime chases up building
walls and over rooftops. I can remember In contrast however, I thought the tree top stuff a little hokey. Still the fight scenes were incredibly well choreographed. The camera work on them is just short of amazing. Ang Lee deserves some kind of award for this film. I hope he gets it. This is one of those movies that you have to plan to see more than once in order to get everything. I can't wait for the DVD. I haven't said much about the story line. The repression in the relationship between the two main characters adds to the film's growing tension. This is reminiscent of the Jane Austen love affairs, which develop to a fever pitch with longing looks and no action. It's not 'Sleepless in Seattle' but romantic tension carries through the whole film in the same manner. This is truly a gender-age crossing film, with something for everyone. |
| Copyright 2005 Chuck Markee | [more] [back] |